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“杀光共产主义者！”“北进统一！”这是卞熙宰常喊的口号。直到有一天，被他称作亲北分子的姜义锡带着摄像机出现并与他搭话，两人由此开始结识。卞熙宰一直为国事忧心到夜不能寐，随后他决定参选国会补选。

讲述了她的初次体验……电影里床戏之后的后续故事……海边的真实事件……以及偷走色情演员보리的男人们的幕后故事。

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在截然不同、相互对立的环境里，赫和哲并未遵循母亲们的期望，赫怀揣着成为拳击选手的梦想，哲则渴望成为一名歌手。赫因家庭矛盾而烦恼，哲则因受骗让母亲忧心忡忡。一日，哲遭遇莫名事件被诬陷犯罪，随后被送进了警察局。哲的母亲误以为此事与赫有关，还因此和赫发生了冲突。然而，赫并没有置身事外，而是设法救了哲。经历了这一切后，他们意识到自己的梦想已然遥不可及，为了实现自我蜕变，决定投身军营。

Nonagenarian artist Kim Tschang-Yeul, one of the most recognized Korean artists of his generation, has built his singular body of work around the representation of a single, fascinating motif—the water drop. This collaboration between an inscrutable artist and his filmmaker son speaks volumes, despite documenting a man of very few words, whose practice embraces meditative silence. \"He who knows, does not speak; he who speaks, does not know.\" The Man Who Paints Water Drops discovers non-verbal ways of expressing and understanding Kim's obsession with painting water drops and its origin, rooted in Korea's history. This portrait of a career and also communication—between father and son, artist and audience, artist and self—is driven by intimate access and serene skill at reducing and expanding moments and meaning. How well can we ever know the people closest to us, their dreams, ambitions and traumas, without ever voicing them, or sharing them in common? See: the water drop.

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